Before we proceed with the main agenda of today’s post, I felt it was time to inject a little, much-needed structure into the madcap anarchy that usually typifies GofaDM. So, let’s start with Matters Arising from the last post.
Having boasted of my skill and perspicacity in organising a rather successful trip to the Athens of the North, I feel I should perhaps give a little credit to mother nature (you really don’t want to end up on the wrong side of Gaia). The weather in Edinburgh was unusually clement – so much so that I began to regret my failure to pack sunscreen (or a parasol). According to the natives, this was not typical of summer 2015 as a whole and, in my brief visit, I estimate that I experienced more than 40% of the actual summer. The sun is not always a friend to the Fringe-goer as the venues have a tendency to become rather toasty (and, indeed, sweaty) if the mercury rises by even a modest degree. Here again, years of practice came to my aid and I chose to spend my whole Festival in shorts, thus gifting the general public with 360° views of my all-too-rarely exposed calves and shins (despite the potential provocation, swooning was, fortunately, kept to a minimum). This additional exposed flesh seemed to work wonders for my body’s temperature regulation – well, either that or the Fringe have become better at venue cooling. And now, that little piece of business out of the way, we can return to the main agenda.
Despite the title, I should prepare any lovers of the baker’s art for disappointment now. Loaf-lovers will find little succour for their obsession here as I shall be concentrating on the expanse of title lying to the right of its conjunction. At this year’s Fringe, I took in twenty-five shows over my six-and-a-half day visit – but this included four that might be considered to fall within the genre of circus. This might not seem that many to you, but it exceeds in number all the circus-based entertainment I had attended in my adult life prior to that point.
When I say circus, you can keep your jugglers, fire-eaters, clowns and any animals whose participation remains morally viable: I’m really just interested in the gymnastic and/or acrobatic elements of the modern circus, basically, I’m looking for inspiration or tips. The four shows were all very different, with a wide range of feats performed and a variety of approaches taken to link the physical feats together (and give the performers a brief opportunity to rest). I could thoroughly recommend them all.
Something – a curious name for a show (does one go to the box office and ask for an hour of something?) – was the most approachable of the four shows, i.e. a few of the feats I can almost do and rather more I can imagine one day attempting. It used the floor, tables and a ring or chain suspended from above. The more physical elements were linked by slapstick and comedy and there were lots of costume changes – it definitely provided the most laughs of the four shows.
La Meute – used a lot of props, and in particular a lethal looking all-metal swing (constructed of something akin to scaffold poles). This involved the cast being flung scarily into the air before summersaulting back down to a landing pad. It also included some comedy (albeit of a slightly curious, French nature) and the male cast performed the whole show wearing only towels (which miraculously did not fall off – I can’t even keep a towel on whilst shaving). I will not be attempting any of this in the near – or even distant – future: far too much need for split-second timing and risk of being smacked with extreme force somewhere painful (or worse) by a scaffold pole. Irritatingly, most of the cast demonstrated that they could also sing or play a range of musical instruments as well as perform such extraordinary acts of physical derring-do. I had thought that I was unique in trying to learn to sing and be a gymnast at the same time.
You – another oddly named show – had a single performer, ex of the Cirque du Soleil (which I know only via an episode of The Simpsons). He used more limited equipment – a Swiss ball, some books and a frame with some long straps hanging down. He maintained quite an odd monologue through most of the show – which given that I can barely speak having performed much more basic activities was rather impressive (even if the content revealed some substantial gaps in his understanding of nuclear physics and genetics). He did do a few things which I might aim towards (and many far more impressive ones which may have to await my reincarnation into a more flexible form) – but he will not be invited to use my library given his treatment of his own books. The show was good, but rather strange with a finale involving a lot of pudding rice and the audience being invited to throw it around on stage.
Limbo – was the last, and most expensive, of the shows I saw. It also had the largest cast and set and included sword swallowing and fire-eating – which I will admit is quite impressive (and very hot) when you are seeing it from the second row. It covered almost all the physical feats I have seen in previous circus acts, but generally added at least one little extra twist. There was an extraordinary section where five of the cast were atop flexible poles swinging together and out into the audience which I have never seen before (and won’t be trying at home). However, by far the most impressive element of the show was the most flexible man I have ever seen in my life. I can only assume he must live a dairy-free life (an existence I am not willing to copy) and has no bones at all. Not only flexible but incredibly strong in what seem impossible and unstable positions. His acrobatics manoeuvres were the most impressive to me as they started without momentum – and I don’t feel the audience gave him the credit he deserved (showier colleagues gained the greater plaudits).
I rather fear that I am becoming obsessed by the circus: so many new feats to try (one day) or at least at which to take (very distant) aim. If nothing else, I will be rather more diligent at working on my flexibility and stretching in the weeks to come. I also found that the circus shows made an excellent counterpoint to the wordier fare which made up my other Fringe-going (and this very blog). Should I be adding a more physical element to GofaDM, do you think?